Throwaway culture, while, perhaps, not limited to commercialized music, appears to stem from highly and quickly popularized songs that are file-shared and listened to for a short period of time. And are, then, later deleted or ‘disposed of’ from the listener’s computer or MP3 player, typically, once the song starts to fade into obscurity or has grown tiresome to the user, due to circumstances such as novelty, over-exposure, or a ‘change of taste.’

As I’ve argued previously, this can be partially attributed to what file-sharing changed about a music fan’s dynamic relationship with the culture that they consume and the numerous paradoxes of choice that are encountered within the realm of the Internet. Most predominately, file-sharing has allowed fans simulate decisions not yet made, or economically ‘committed to’ rather, and has, in turn, caused them to become ever-more passive about their deletion.

“tastes which quickly increase in popularity die out faster.”

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